• Çã³²ÁØ
    NAMcode #66 20-09

  • Code 1434088117
    ÀÛÇ°»çÀÌÁî 56x76cm (20F)
    Àç·á arches acrylic sand texture
  • ¾×ÀÚÁ¾·ù
    ¸ÅÆ®Á¾·ù
  • ¹è¼Û±â°£ 5-10ÀÏ
  • ÀÛÇ°°¡°Ý 1,200,000¿ø
    ¾×ÀÚ°¡°Ý 0¿ø
    ¸ÅÆ®°¡°Ý 0¿ø
    Àû¸³±Ý 24,000¿ø
    ÇÕ°è°¡°Ý 1,200,000¿ø

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NAMcode #66 20-09  2015  arches acrylic sand texture  56x76cm

 

 

 

 

 

 

 

 

Çã³²ÁØ   HUH NAM JUN

 

 

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2013.06.27~07.03 [¿ì¿ï°ú ¸ù»ó¿¡ °üÇÑ º¸°í¼­] ¹è´Ù¸® °¶·¯¸® (ÀÎõ)

2009.07.15~08.30 [Art Star Mirror Ball] ºÀ»ê¹®È­È¸°ü (´ë±¸)

2008.07.15~08.10 [Dead Skin] ½ÓÁö ¾ÆÆ®¸¶Æ® (Àλ絿)

2008.05.02~05.05 [Tokyoment] µðÀÚÀÎ Æ佺Ÿ °¶·¯¸® (ÀϺ».µµÄì)

2008.02.01~02.29 [NAMCORD123] µðÀÚÀÎÄ«ÆäVW (¼­±³µ¿)

2007.10.10~10.27 [postHercard] ¾ÆÆ®½ºÆäÀ̽º »ç´Ù¸® (»ó¼öµ¿)

2006.06.13~07.17 [paintbox] ÀÏ·¯ÆË °¶·¯¸® (¸íµ¿)

2005.11.15~11.30 [paintHer] À̸®Ä«Æä (¼­±³µ¿)


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2014.05.28~06.18 [AtomiCode] UNOFFICIAL PREVIEW °¶·¯¸® (Àá½Ç)

2009.05.01~05.28 [¾ÆÆ®Àλý ÇÁ·ÎÁ§Æ® 2ź] ¿¹¼úÀÇ Àü´ç (ÀÇÁ¤ºÎ)

2009.01.14~02.01 [´Ù¼¸ °³ÀÇ ²ú´Â Á¡] °¶·¯¸® ½ÓÁö (Àλ絿)

2008.09.20~10.04 [ÅؽºÆ® Å¥ºê] ÆÇ Æ佺Ƽ¹ú (ÇìÀ̸®)

2008.05.09~05.25 [¾ÆÆ®Àλý ÇÁ·ÎÁ§Æ®] ¿¹¼úÀÇ Àü´ç (ÀÇÁ¤ºÎ)

2008.05.08~05.25 [±¸»ó°ú ºñ±¸»óÀÇ ¸¸³²] °¶·¯¸® ´Ù´Ù (ºÎ»ê)


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2015.07.15~07.21 [¿­¸°¸¶´ç âÀÛÁö¿ø ÇÁ·ÎÁ§Æ®] °¡³ª¾ÆÆ®½ºÆäÀ̽º (Àλ絿) 

2014.11.17~11.30 [Seoul Design Spot] ¼­¿ï µðÀÚÀÎ Æ佺Ƽ¹ú (ÅëÀǵ¿)

2014.10.29~11.16 [¸¶Áß¹° ¾ÆÆ®¸¶ÄÏ] ±è¸®¾Æ °¶·¯¸® (û´ãµ¿)

2014.10.08~10.12 [Çѱ۹®È­Å«ÀÜÄ¡] ¹®È­Ã¼À°°ü±¤ºÎ (±¤È­¹® ±¤Àå)

2014.04.24~05.24 [»ì¸ç ¿¹¼úÇϸç] ¹®È­¿¹¼úȸ°ü (´ë±¸)

2014.01.23~01.29 [Black & Blank] º¹ÇÕ°ø°£ ¾Æµ§ (³íÇöµ¿)

2010.12.~ 2011.3 [³»ÀÏ_¿ÀÇ ¾ÆÄ«À̺ê] ¼Ò¸¶ ¹Ì¼ú°ü (¿Ã¸²ÇÈ °ø¿ø)

2010.10.29~11.04 [ÀÛ°¡ ¾ÆÆ®Æä¾î] °¶·¯¸® ³ªºñ (¼­±³µ¿)

2009.09.30~10.18 [³¸ ºû] ½ÓÁö ¾ÆÆ®¸¶Æ® (Àλ絿)

2009.07.08~07.26 [CAPSULE-T] °¶·¯¸® ½ÓÁö (Àλ絿)

2008.11.20~11.23 [¾ÆÆ®¸¶Æ®-±×¸²¼îÇÎ] ½Å¼¼°è°¶·¯¸® (ÀÎõ)

2008.10.08~11.02 [Çѱ¹»ê ±×¸²Àü] ½ÓÁö ¾ÆÆ®¸¶Æ® (Àλ絿)

2008.09.05~09.20 [°¶·¯¸® Æ佺Ƽ¹ú] ºñ¿£³¯·¹ (ºÎ»ê)

2008.06.27~07.22 [µ¥¸¯Àú¸ÕÀÇ Á¤¿ø]´ë¾È°ø°£µµ¾î(µ¿±³µ¿),¾ÆÆ®½Ã³×¸¶(Á¾·Î)

2008.02.12~03.30 [»ç¶ûƯÀ¯] ½ÓÁö ¾ÆÆ®¸¶Æ® (Àλ絿)

2007.08.07~09.07 [¾ÆÆ®¸¶ÄÏ] ½ÓÁö¸¶ÄÏ (·Ôµ¥¹éÈ­Á¡)

2006.09.10~10.15 [¹Ï°Å³ª¸»°Å³ª ¹Ú¹°°ü] ÀϹι̼ú°ü (±¤È­¹®)


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2014.09.25 [¼­¿ï±¹Á¦ÀÛ°¡ÃàÁ¦] ³ª¹«°¶·¯¸® (Á¾·Î)

2010.09.30 [¿¬Èñ ¸ñ¿ä³¶µ¶±ØÀå] ¿¬Èñ¹®ÇРâÀÛÃÌ ¼­¿ï¹®È­Àç´Ü (¿¬Èñµ¿)

2009.08.15 [±ØÀå, ³¸¼´ ¼ÓÀ¸·Î ¿ÜÃâÇÏ´Ù:ÅؽºÆ®] »ê¿ï¸²¼Ò±ØÀå (¼­±³µ¿)

2009.03.18 [Sugar kane] ¼³ÅÁ¹Ù º®È­ (µ¿±³µ¿)

2008.09.17 [ROCK&FUCK] Çѵ¶Çù 10Áֳ⠿ȴϹö½º (Á߾ӽó׸¶)

2008.03.08 [Text Symphony] ¹®Áö ¹®È­¿ø »çÀÌ (µ¿±³µ¿)

 

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2014.07.07~ [Open Studio] ¿­¸°¸¶´ç ½ÅÇÑÄ¿¸Ó½º (µ¿±³µ¿)

2008.10.08 [µå·ÎÀ×¼¾ÅÍ ¾ÆÄ«À̺ê3±â µî·ÏÀÛ°¡] ¼Ò¸¶¹Ì¼ú°ü (¿Ã¸²ÇÈ°ø¿ø)

2006-2009 [¾ÆÆ®¸¶Æ® »ó¼³ Àü½Ã ÀÛ°¡] ½ÓÁö (Àλ絿)


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2015.01.03 [±¸»óÀü °ø¸ð´ëÀü] Ư¼±¼ö»ó (»ç´Ü¹ýÀÎ ±¸»óÀü)

2014.10.08 [Çѱ۹®È­Å«ÀÜÄ¡] º¸¶÷±â¸²¼ö»ó (¹®È­Ã¼À°°ü±¤ºÎ)


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2014.10.20 [´ç½Å] »çÁø½ÃÁý (±â¸°°ú ½£)

2013.04.08 [½ÃÀÎÀÇ Ã¥»ó] »çÁø µð·ºÆà (·£´ýÇϿ콺)

2012.02.27 [ÄÞ¸¶ ¾¾] »ê¹® »çÁøÁý (¹®Çе¿³×)2011.07.04 [Àξî°øÁÖ À̾߱â] ¼Ò¼³ »ðÈ­Áý (¹®Çаú Áö¼º»ç)

 

 

 

 

 




[ÀÛ°¡³ëÆ®]


NAMcord


³» ¾ó±¼ÀÌ ±×·¸´Ù. ±×¸²Àº ¿©·¯ °³ÀÇ Á¡, ¼±, ¸éµéÀÌ ¸ð¿© ÇϳªÀÇ Çüü¸¦ ¸¸µé¾î³½´Ù.

ÀÌ·¯ÇÑ ¿ä¼ÒµéÀº ȯ¿µÀ» Ç¥ÇöÇس»±â °¡Àå ÁÁÀº Ư¼ºÀ» °¡Áö°í ÀÖ´Ù.

±×¸² ¼Ó ¾ó±¼µéÀº ±âÈ£·Î ÷¿¹ÇÏ°Ô °íÁ¤µÇ¾î ÀÖÁö¸¸ º¸´Â ÀÌÀÇ ½Ã°¢ÀÇ ¿òÁ÷ÀÓ¿¡ µû¶ó ´Ù¾çÇÑ ¾ó±¼·Î ÀüÀÌµÇ¾î ³ªÅ¸³­´Ù.

±× ¾ó±¼µé ¼Ó¿¡¼­ ¿©·¯ °¡ÁöÀÇ Çã»óÀ» º»´Ù. ÀÏÁ¾ÀÇ ´ÙÁßÀûÀÎ ÀÚ¾ÆÀÇ µæ¼¼ÀÎ °ÍÀÌ´Ù.

±×¸®±â¶ó´Â ÇàÀ§ÀÇ ¹Ýº¹À» ÅëÇؼ­ ÃàÀûµÈ ħÀü¹°µé... ÀÌ°ÍÀº °íÂøµÈ À̹ÌÁö°¡ ¾Æ´Ï¶ó ÀÚ¹ßÀûÀÎ »ý¸í·ÂÀ» Áö´Ñ À¯±âüÀÇ µ¢¾î¸®µéÀÌ´Ù.

±×¸²°ú ¸¶ÁÖÇÏ°í ÀÖ´Â Áö±Ý ÀÌ ¼ø°£¿¡µµ ±× ¾È¿¡¼­´Â À¯±âÀûÀÎ »ý¸íüµéÀÌ ºÎ´ÜÈ÷ Áõ½ÄÇϸç À͸íÀÇ ¾ó±¼À» ã°íÀÚ ÇÑ´Ù.  

 

My face is like this. The drawing forms a shape with several dots, lines, and sides combined.

These elements bear the best characteristic to express illusion.

The faces in the drawing are tensely fixed by signs;  

however, they transform themselves into diverse and different faces depending on the motion of the view.  

We see in those faces a variety of fictional images. That is the flooding of a sort of the multi-faceted ego.

deposits accumulated through repetitive actions of drawing . . . These are not fixed images but an organic mass with spontaneous vitality.

Even at this moment you face the drawing, you want to find an anonymous face in it where organic lives constantly breed. 

 

 

 

 

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